![]() The complexity of virtual production adds time and expense to the process of producing content. “For the first time, it feels like indie filmmaking is comparable to big-budget productions, and we can’t imagine a production without it.” Adobe Takes Virtual Production to the Cloud ![]() The immediate review capability and seamless integration into Premiere Pro have improved our process and allowed us to work even faster,” said Alex Regalado, head of post at Duplass Brothers Productions. “Camera to Cloud has changed the way we think about dailies and editorial. This will allow editors to start cutting shows and movies while they are still being shot. With Camera to Cloud, traditional production crews, post-production teams and key stakeholders can now get instant access to footage as soon as it is shot, no matter where they are. “With Premiere Pro, Frame.io and Camera to Cloud, we’re connecting the entire video creation process from camera capture to final delivery, allowing customers to collaborate in new ways, from anywhere.”Ĭamera to Cloud, which ignited the transition from disk drive to cloud-based workflows, has fundamentally changed the way video is created and has already been used on over 4,200 productions. “Adobe has been at the forefront of delivering cloud-based video solutions that enable collaboration and dramatically faster creative workflows,” said Scott Belsky, chief product officer and EVP of Creative Cloud. ![]() In addition, Adobe is unveiling new integrations that extend Camera to Cloud to even more cameras, along with new versions of Premiere Pro and After Effects that make it faster and easier for video professionals to collaborate. Adobe Leads Transition of Video Production to the Cloud By partnering with Mo-Sys, Adobe aims to bring instant collaboration and the speed of virtual production to more filmmakers, taking it beyond the big-budget productions afforded by few. Thanks to a new integration between Adobe Camera to Cloud powered by Frame.io, and Mo-Sys, an award-winning manufacturer of virtual production solutions, video professionals can now see their visual effects scenes come to life in Frame.io as they’re being shot on set. After Effects will even notify you on your iPhone and Apple Watch when your video is finished rendering.Adobe (Nasdaq: ADBE) is unveiling the world’s first cloud-based collaboration solution for shooting content on virtual sets. Video creation is now 3x faster with the performance gains from native support and 4x faster than the iMac Pro. After Effects now native to M1 MacsĪdditionally, After Effects now runs natively on Apple Silicon. The footage is available right away so you can start the editing process during your shoot. No need to transfer files, upload or download manually, or use a disk drive anymore. Users will have access to Camera to Cloud, which securely sends your takes right off your camera and into the cloud as soon as you stop recording. This helps you get to final faster and it is a pleasure to use. When finished, your reviewers can approve directly using the web link or award-winning Frame.io app. You no longer need to decipher confusing email threads or spreadsheets to collect feedback. They can comment and draw on the video and you will see their time-stamped feedback directly in your timeline. Frame.io is Adobe’s collaboration video editor where users can easily work together on projects from near or afar. Previously, users had to have a separate subscription to access this video collaboration platform.įrame.io’s professional, easy-to-use workflow lets you share a link to your video or composition with your team, client or any other reviewers you want. For video creators, things are about to get easier with the latest revision to Adobe’s Creative Cloud.Īmid consumer demand, Adobe is now offering Frame.io for Creative Cloud for customers with Premiere Pro and After Effects. ![]() Remote collaboration has been more popular than ever these past two years.
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![]() ICARDA has its own evocations: not an apocalyptic future but the grain-basket past of the “fertile crescent”. It is this region that is known as the origin of agriculture: archaeological studies of Mesopotamia indicate the spread of agriculture has its origins here, with seed cultivation occurring over 10,000 years ago. Each of those 15 research centres are global specialists in a particular research area, and for ICARDA, it is the agriculture of the arid regions. The International Center for Agricultural Research in the Dry Areas, ICARDA, one of 15 groups that form the Consortium of International Agricultural Research Centers ( CGIAR) was formerly headquartered in Aleppo, Syria. This seed wealth, in accordance with the Treaty, is widely shared. And for many of the genebanks represented here, these are not the only back-ups. And it’s that last as much as those other three that have brought about the latest doomsday headlines for the SGSV.įor Nordgen, the Nordic Genetic Resource Centre, the seeds held in the SGSV are its third stream: they have an “active” collection at their headquarters in Malmo, Sweden, that are distributed on request to farmers, breeders or hobbyists and a back-up in storage in Denmark. What threatens it? Three of the horsemen of the apocalypse, for a start: drought, disease, war. So ‘Doomsday’ is a cipher for a world in which that goal is threatened. The SGSV’s mission is to support the International Plant Treaty’s aims in conserving, securing and sharing the world’s plant genetics for food and agricultural security. They certainly distract from the real work of the vault, and its feeder institutions: the world’s agricultural and crop genebanks. But these apocalypses distract from the here-and-now. Most of the reports of the withdrawal noted that SGSV is built to withstand nuclear war. ![]() ![]() It made its way into most of the headlines that reported the first withdrawal from the vault since its inception in 2008, made by a formerly Syrian-based regional genebank in September 2015. Doomsday is the worst case scenario that it’s easiest to go to. It doesn't matter whether you're a writer or whether you participate in any other kind of creative discipline, you got to a point where you're just like, I have dumped out the entire contents of my skull, and now I have nothing left, and I needed to find a way to recharge. Just opening up that Word document was so painful. I was really struggling to make myself freezes at it every day. I'm probably more like a third of the way through another novel, and I had just completely run out of steam. I am in the middle, like really literally the middle, hopefully the middle. Part of the way that my idea for this exercise that we're all going to do together came about was that I really got stuck in the middle of a long project. This class is a 10-day challenge that's designed to unlock your creativity by getting you to notice new details about your world. I'm a writer, and a publisher, and an editor. Intro: Your 10-Day Challenge!: Hi, I'm Emily Gould. ![]() ![]() Creative Writing: Begin with the Body - Chelsea Hodsonġ.Creative Writing: Writing from Memory - Ashley C.Creative Writing: Using Your Mistakes to Power Your Personal Essays - Emily Gould.I Await The Devil's Calling - Mary MacLane.The Diary of a Teenaged Girl - Phoebe Glockner.Ongoingness: The End of a Diary - Sarah Manguso."Famous Writers on the Creative Benefits of Keeping a Diary" via BrainPickings.Bernadette Mayer's List of Journal Ideas via UPenn.The Folded Clock: A Diary - Heidi Julavits.Would you rather listen to Emily's lessons? Scroll down to download audio files from the video lessons, or download the Skillshare mobile app.You can even do it several times.Ĭlick "Start My Project" to share your writing. Start now! There are no set "dates" to the challenge. Start and finish your 10 days on your own schedule. Option 2: If you prefer to write by hand, consider typing a few entries during revision, or sharing photos of your hand-written entries in your Project Workspace.Option 1: Use your Project Workspace for your daily freewriting.Share your work for feedback from fellow students. You'll finish this challenge with a piece you're proud to share - and one that can serve as a start for your next story or essay. ![]() Day 10: Revise your work to create a standalone piece of writing." Write about your surroundings, experience, or even other events. Day 1-9: Every day, write for 10 minutes on the prompt "Today I noticed.Commit to writing 10 minutes for just 10 days. ![]() The “1234” next to the metronome is your count-in. I usually leave the metronome on while recording and turn it off while listening back. Clicking the metronome image will turn the metronome on and off. You can change your metronome settings to the right of the LCD window. Click the dropdown to the right and select “Beats & Project (Large).” You can make this window bigger if you’d like. If you want to change the tempo, key, or time signature of the song, you can do that in this center section. In the middle of the main interface is the LCD. We’ll dig into key commands at the end of this section! I prefer to use key commands for all these functions. This is where you start and stop your song and even begin recording. To the right of Quick Help is the playback transport. Just hover your mouse over a button you don’t understand, and Quick Help will tell you exactly what it does. So if you’re new to Logic Pro, you’ll want to have it on. Quick Help gives you a brief description of what everything on your screen does. There’s a lot to look at here, but we’re just going to focus on the necessities.įirst things first, check out the “Quick Help” button on the left side of the screen. One example is changing the tempo of your song. This is where you’ll make changes that affect your entire project. Just below the navigation dropdowns is the main interface. Let’s break down the interface step by step so you know exactly what you’re looking at when you open a project. Where do you even start?īut don’t worry! It’s not as complex as it first seems. ![]() It’s easy to be intimidated when you open Logic Pro X for the first time. Each parameter can be given its own control range and can go in either a normal or reversed direction plus, if you need it, there’s graphical adjustment of the control range for each parameter to allow its default linear operation to be changed.įor my take on an effected filter, which I am using as my example here, I set up a high‑cut filter followed by a SilverVerb reverb and a Flanger plug‑in, the idea being that as a Smart Control is turned anti‑clockwise to close down the filter, more reverb is mixed in and the.Part 1: Getting Comfortable with Logic’s Visual Interface The Smart Control knobs can be automated in the same way as most other plug‑in controls, but to create our ‘several things happening at once’ control, we need to assign multiple plug‑in parameters to a single Smart Control knob to create a macro. Smart Controls are, at their most basic, a very useful tool for cutting through the clutter of very busy plug‑ins when you just need to access a small number of parameters. ![]() If you’re using Smart Controls on a bus or main output, these first need to be made visible in the Main arrange screen, which you can do by selecting the required bus or output in the mixer view, then using Ctrl‑click to open a menu, from which you select Add Track. Any of the knobs that appear can be reassigned to control any of the parameters on any plug‑in inserted on that track (or bus or master) and the parameter name shown above the knobs can also be changed as required. The actual controls you see are different on an instrument track, but these general instructions work on those too. It turns out that the solution to controlling multiple plug‑in parameters from a single knob is tucked away in Logic’s Smart Controls section.īy default, Smart Controls will typically show the most relevant controls of the first one or two inserted plug‑ins, depending on whether you start from a preset or not. It is certainly a useful effect for use in EDM to create a sense of distance: adding reverb and possibly some kind of modulation as the filter closes gives the impression of the sound melting away. I was reviewing Slate Audio’s Storch Filter plug‑in, a simple one‑knob affair that simultaneously closes down a filter while increasing the amount of added effects as the cutoff frequency is turned down, and wondered if I could set up something similar in Logic. I have to admit to neglecting them myself as I couldn’t see what benefits they would bring to my workflow - until I explored one of their under‑appreciated superpowers. Logic Pro’s Smart Controls seem to be somewhat neglected by seasoned Logic users, and I suspect that’s because they offer a simplified, GarageBand‑style view of plug‑ins that is at odds with the way most experienced users tend to interact with Logic. Logic’s Smart Controls allow you to create hands‑on effects macros. Smart Controls allow you to control multiple parameters across multiple plug‑ins on a single track, using just one set of controls - or even just one knob! ![]() Scenes of pain are even more effectively realised when followed by moments of relief, and only every so often does the film’s comic tone feel a touch irksome. For all the seriousness of the issues portrayed in the film, there’s an unashamed light-heartedness, if not sentimentality, in the directors’ approach. Alice forgets all about her hang-ups, the stress and worry that tinge her life, while Samba needs little encouragement to enjoy being with the woman in front of him. ![]() On screen, their relationship is incredible to watch, their vulnerabilities dissipating completely when around one another. Samba, on the other hand, is vibrant, optimistic and a little goofy – regardless of the precarious situation he finds himself in. Playing against type, Gainsborough’s character is timid, anxious and vulnerable. Samba is to be Alice’s first case, and despite vehement warnings from her co-worker to not get emotionally involved with the people she’s helping, it’s clear there’s a magnetic chemistry between the two of them that can’t be ignored. ![]() With nowhere to turn, Samba comes face to face with Alice (Charlotte Gainsborough), a burnt-out white collar worker volunteering at the immigration office after suffering from a stress-related breakdown. His employment there is strictly off the books, and when the offer of a proper contract proves too tempting to ignore, he’s seized upon by immigration police – despite having lived in Paris for the past ten years. Samba opens at a swanky high-class party in which the camera, in one impressive take, pulls back from the decadence, winds through bustling corridors and settles on Samba (Omar Sy), washing dishes at the back of a hotel kitchen. The French writer/director team Eric Toledano and Olivier Nakache follow the success of The Untouchables with this warming love story set amid immigration strife. ![]() Plaster is more soundproofīecause of its denseness, plaster is typically more soundproof than drywall. It is more soundproof, lasts longer and is often considered more sophisticated than drywall as plaster is generally better-made. Why do some people still use plaster?ĭespite being overshadowed by drywall these days, plaster has the edge in certain aspects. Consequently, drywall is a more flexible interior design option in this respect. What’s more, doing so risks chipping or cracking the plaster. Drywall is easier to hang items onĪs plaster is more solid than drywall, it’s almost impossible to push thumbtacks into plastered walls to hang up posters. However, retrofitting original plaster walls with insulation is difficult and still might not offer the same levels of protection. The drywall installation process offers a lot more flexibility for accommodating additional layers. Drywall offers better insulationĪlthough plaster is denser than drywall, it lacks the thermal capabilities of its more modern counterpart. Even though the materials for both jobs are often roughly the same cost, the labour involved makes plastering a more expensive endeavour overall. Conversely, wet plastering must be done by a professional over several days, with drying time needed between different coats. Drywall is less labour-intensive and cheaperĪs touched upon, fixing drywall is a fairly easy job. Why is drywall more popular than plaster?ĭrywall is a cheaper and much more hassle-free option than plaster, boasting many other advantages from its thermal qualities to its flexibility. That said, you still need to skim drywall afterwards to create a smooth finish, as well as paint it your desired colour. Think of drywalling like wallpapering a wall and plastering like painting it. You can also just screw drywall into the studs of a wall, whereas plastering is a much more labour-intensive process. However, the difference is that this substance is sandwiched between two boards of paper and is typically sold as 4x8 foot panels. Like plaster, it often consists of gypsum. Since gaining popularity around the time of World War Two, drywall has become the go-to material for coating interior walls and ceilings. However, the material fell out of favour by the 1930s and 1940s, and it was all down to its near-namesake: plasterboard - or drywall. Plaster became widely used in Europe in the Middle Ages, with gypsum and water often the default combination. The earliest documented forms of plaster were lime-based and found in Jordan around 7500 BC, while ancient China and India used clay and gypsum (a naturally occurring mineral consisting of hydrated calcium sulfate) to make a smooth plaster surface over stone or mud-brick walls. Typically made from minerals and water, the process of plastering usually involves applying the paste in layers onto laths (narrow strips of wood), with drying time in between. Plaster refers to the paste used as a protective or decorative coating for walls. Because of this, you need to know the difference as your choice will have a huge impact on your property. However, unlike drywall and plaster, drywall and plasterboard are actually the same material, just described in two different ways.Īlthough drywall ultimately stems from plaster and is also referred to as plasterboard, there are very few similarities between drywall and plaster in practice. ![]() This confusion comes from the wide use of the term ‘plasterboard’, which obviously could be mixed up with plaster - it is half the same word, after all. Yet, just like commonly muddled terms such as the United Kingdom and Great Britain, or shrimps and prawns, drywall and plaster mean completely different things. ![]() The terms ‘drywall’ and ‘plaster’ are often confused when discussing interior design.
![]() Because of the failure of the belt, oil may leak into the valves, pistons, and other internal components of the engine. They can travel up to 100,000 miles, but it’s always a good idea to change them before that. ![]() Timing belts with polyurethane and Kevlar are the new technology in newer models due to their long life and durability. The timing belt and interference engine are both present in all 2015 Honda Odyssey models.Ī timing belt should be replaced every 60,000 to 90,000 miles in your Honda Odyssey. In 2008, there is an interference engine as well as a timing belt. According to the Honda maintenance schedule, your Honda’s timing belt and water pump should be inspected and/or replaced every 7 years or 60,000-100,000 miles. Labor costs are estimated to be between $311 and $394, while components are estimated to be between $408 and $494. How much does the timing belt of a honda odyssey cost? The range of $719 to $888. Most cars will require a timing chain replacement in the range of $413 to $1040. The most powerful and efficient interference engines are those that operate in concert. Some cars use a timing chain, while others do not, and some cars have rubber timing belts.Īn interference engine is present in a 2008 Honda 3.5L V6. Timing belts may fail before this interval, but most vehicles will never have an issue with this part. Timing belts are replaced on a regular basis at 60,000 to 100,000 miles as part of scheduled maintenance. Honda has occasionally used a timing chain on an engine type and a timing belt on another. It is unclear why the 2018 Honda Odyssey has a timing belt rather than a chain. Belts must be replaced over the course of 60,000 miles. There are timing belts in the engines of all Honda Odyssey models. ![]() Replacing the timing chain is a relatively simple job, and can be done by a qualified mechanic. If the timing chain breaks, the engine will not be able to run properly. The timing chain is what keeps the engine’s valves in sync with the pistons. The Honda Odyssey has a timing chain that needs to be replaced every few years. ![]() ![]() ![]() The good news? You can’t really go wrong. Shades that reflect nature in spring (like pale pinks, intense poppy colors, and pistachio-esque greens), are always great choices for this season, according to Boyce. And if none of those colors suit your fancy, we’ve got an array of other spring staples as well. On the list below, you’ll find plenty of options for gorgeous-yet-subtle greens and lilacs as well as eye-catching neons. And if Megan’s hues are more your vibe, look no further than ORLY's “Bird of Paradise.” If you’re looking to channel Olivia, you might consider “Oh Snap” by ORLY. “I think people are really excited to go out and feel that electricity in the air,” Boyce says. While spring colors tend to be more muted, Boyce adds, neons are great picks this season, especially thanks to celebs like Megan Fox (who recently sported bright orange nails) and Olivia Rodrigo (who rocked neon yellow nails at Billboard Women in Music). “It’s not the deep royal purple or a sheer wash of pastel purple, but a rich, pigmented lilac shade.” A few good options for this color include “Vertigo” by UN/DN Laqr and ORLY's “Provence at Dusk,” according to the nail artist, who has worked with both brands. “Pantone listed a blue-toned lilac as the color of 2022,” Boyce says. “But instead of the slime green that’s been popular, the greens we’ll see are warmer and more grounded.” For a great representation of this shade, Boyce points to “Artist’s Garden,” by ORLY. “Greens, which started trending in 2020, continue to dominate into 2022,” she says. Unsure what to replace your wine reds, holiday metallics, and midnight blues with? Not to worry: Brittney Boyce, celebrity nail artist and founder of NAILS OF LA, has some recs for spring nail colors. As you switch out your down coat for a denim jacket, consider it time to change up your nail polish shades too. It may not feel like it, but spring is almost here. ![]() If you found this list helpful, you might want to check out Unity vs Unreal engine comparison, and more interesting News and Video Gaming Guides right here on Gamer Tweak. That’s all with our list of all the games that use the Unity Game engine.
![]() Greater detail episodes list provided in this table. Jazmyn Simon (Ballers, Most Perfect You) and Megan Boone (The Blacklist, The Underground Railroad) play competing birds in this Native American story about the surprising ways that slow and steady. Premiere episode starting on March 3, 2024. ![]() They will be available online on Home Box Office just after release. Next season will once again be made up of eight episodes. Home Box Office Ballers Season 6 premiere date and schedule Read on and learn more about Hill and Simon's relationship and two children. Looking at the lives of former and current football players, Ballers follows former superstar Spencer Strasmore as he gets his life on track in retirement while mentoring other current and former players through the daily grind of the business of football. He gave love a second chance with his 'Ballers' co-star Jazmyn Simon, and she blessed his life. Jazmyn’s fame skyrocketed after she married Dule Hill in 2018. She also had a major role in the American comedy-drama series Ballers which aired from 2015 through 2019. Hall (Amber Kelley), Reggie role will be played London Brown, Arielle Kebbel as Tracy Legette, Jason Antolotti role will be played Troy Garity, Omar Benson Miller as Charles Greane, Donovan Carter as Vernon Littlefield, Jazmyn Simon (Julie Green) and Rob Corddry (Joe Krutel). Ballers (2015) Omar Benson Miller and Jazmyn Simon in Ballers (2015) People Omar Benson Miller Jazmyn Simon. Jazmyn Simon is an American actress who is famed for portraying in the Netflix series Raising Dion. Dwayne Johnson will return as Spencer Strasmore and John David Washington (Ricky Jerret). Some new members may also appear in the next season of the TV Show. 0 seconds Who’s going to be in the cast for Ballers season 6? |
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