![]() The “1234” next to the metronome is your count-in. I usually leave the metronome on while recording and turn it off while listening back. Clicking the metronome image will turn the metronome on and off. You can change your metronome settings to the right of the LCD window. Click the dropdown to the right and select “Beats & Project (Large).” You can make this window bigger if you’d like. If you want to change the tempo, key, or time signature of the song, you can do that in this center section. In the middle of the main interface is the LCD. We’ll dig into key commands at the end of this section! I prefer to use key commands for all these functions. This is where you start and stop your song and even begin recording. To the right of Quick Help is the playback transport. Just hover your mouse over a button you don’t understand, and Quick Help will tell you exactly what it does. So if you’re new to Logic Pro, you’ll want to have it on. Quick Help gives you a brief description of what everything on your screen does. There’s a lot to look at here, but we’re just going to focus on the necessities.įirst things first, check out the “Quick Help” button on the left side of the screen. One example is changing the tempo of your song. This is where you’ll make changes that affect your entire project. Just below the navigation dropdowns is the main interface. Let’s break down the interface step by step so you know exactly what you’re looking at when you open a project. Where do you even start?īut don’t worry! It’s not as complex as it first seems. ![]() It’s easy to be intimidated when you open Logic Pro X for the first time. Each parameter can be given its own control range and can go in either a normal or reversed direction plus, if you need it, there’s graphical adjustment of the control range for each parameter to allow its default linear operation to be changed.įor my take on an effected filter, which I am using as my example here, I set up a high‑cut filter followed by a SilverVerb reverb and a Flanger plug‑in, the idea being that as a Smart Control is turned anti‑clockwise to close down the filter, more reverb is mixed in and the.Part 1: Getting Comfortable with Logic’s Visual Interface The Smart Control knobs can be automated in the same way as most other plug‑in controls, but to create our ‘several things happening at once’ control, we need to assign multiple plug‑in parameters to a single Smart Control knob to create a macro. Smart Controls are, at their most basic, a very useful tool for cutting through the clutter of very busy plug‑ins when you just need to access a small number of parameters. ![]() If you’re using Smart Controls on a bus or main output, these first need to be made visible in the Main arrange screen, which you can do by selecting the required bus or output in the mixer view, then using Ctrl‑click to open a menu, from which you select Add Track. Any of the knobs that appear can be reassigned to control any of the parameters on any plug‑in inserted on that track (or bus or master) and the parameter name shown above the knobs can also be changed as required. The actual controls you see are different on an instrument track, but these general instructions work on those too. It turns out that the solution to controlling multiple plug‑in parameters from a single knob is tucked away in Logic’s Smart Controls section.īy default, Smart Controls will typically show the most relevant controls of the first one or two inserted plug‑ins, depending on whether you start from a preset or not. It is certainly a useful effect for use in EDM to create a sense of distance: adding reverb and possibly some kind of modulation as the filter closes gives the impression of the sound melting away. I was reviewing Slate Audio’s Storch Filter plug‑in, a simple one‑knob affair that simultaneously closes down a filter while increasing the amount of added effects as the cutoff frequency is turned down, and wondered if I could set up something similar in Logic. I have to admit to neglecting them myself as I couldn’t see what benefits they would bring to my workflow - until I explored one of their under‑appreciated superpowers. Logic Pro’s Smart Controls seem to be somewhat neglected by seasoned Logic users, and I suspect that’s because they offer a simplified, GarageBand‑style view of plug‑ins that is at odds with the way most experienced users tend to interact with Logic. Logic’s Smart Controls allow you to create hands‑on effects macros. Smart Controls allow you to control multiple parameters across multiple plug‑ins on a single track, using just one set of controls - or even just one knob!
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